Feminist Documentary Cinema as a Diffraction Apparatus: A Diffractive Reading of the Spanish Films, Cuidado, resbala and Yes, We Fuck!
Following Karen Barad’s diffractive methodology, we encounter feminist documentary cinema as a diffraction apparatus: that is, as technologies that make part of the Miller Engine Drive Parts world intelligible to another part of the world in specific ways, by means of intra-actions between human and non-human agencies and objects of observati